| 1. | The new negro cultural movement
也谈美国新黑人文化运动 |
| 2. | Hence , the lexicon of the black english is determined by black culture
因此，黑人文化决定了黑人语汇的应用。 |
| 3. | " race : black culture , yellow b - boys and the elvis effect . " chapter 2 in japanese hip - hop
种族：黑人文化、黄种黑人、和猫王效应，摘自《日本嘻哈》第二章。 |
| 4. | Although the blues does not occupy the place in black culture that it once did , black artists continue to practice the music both within their own culture and in larger venues all over the world
但尽管蓝调在现今的黑人文化中所占比重较前有所减少，不少黑人艺术家们今天仍在世界各地演绎着蓝调音乐。 |
| 5. | Although it is a fact that the rise of the white player in blues has created a new worldwide audience for the music , many feel that he has again - as in jazz and rock & roll - garnered far more than his fair share of the profit and the glory in the process
虽然白人艺术家对蓝调音乐走向世界做出了不可磨灭的贡献，但其仍有越俎代庖、受之有过之嫌- -正如他们对本属于黑人文化的摇滚、爵士乐等的发展邀功请赏一样。 |
| 6. | Gutman argues convincingly that the stability of the black family encouraged the transmission of and so was crucial in sustaining ? the black heritage of folklore , music , and religious expression from one generation to another , a heritage that slaves were continually fashioning out of their african and american experiences
加特曼确凿地说明黑人家庭的稳定鼓励了黑人文化遗产的传递和维护，这些遗产包括从一代传到另一代的民间传说，音乐，和宗教表述，这些遗产使非洲和美洲的奴隶们特色显著。 |
| 7. | Gutman argues convincingly that the stability of the black family encouraged the tra mi ion of - and so was crucial in sustaining - the black heritage of folklore ， music ， and religious expre ion from one generation to another ， a heritage that slaves were continually fashioning out of their african and american experiences
古特曼人令人信服地论辨道，黑人家庭的稳定有助于包括民间传说、音乐、及宗教表达在内的黑人文化遗产一代一代传递下去，因而在维持文化遗产方面也起着至关重要的作用，而对于这种文化遗产，黑奴们不断地从其非洲和美洲的经历中予以丰富发展。 |
| 8. | Though baldwin took the initiative in depicting black humanity , advocating black culture , uplifting black literature and exploring racial discrimination and conflict , trying to transcend richard ' s protest writing , his writing principles revealed certain inconsistencies and dilemma
作为其间的过渡人物，鲍德温在描写黑人人性、展示黑人文化、提升黑人文学的艺术水平、探索种族歧视与冲突问题等方面，都提出了超越赖特的抗议文学主张，但他本人的思想观念和创作实践又还存在诸多自相矛盾之处。 |
| 9. | In this paper , traits of post - modernism and cultural studies in ralph ellison ' s texts are discussed at length with jacques derrida ' s " white myth " and roland barthes ' " demystification " in order to touch upon two core ideas : one is ralph ellison ' s anatomy of black / white binary opposition in western myth and rites , and the other is ancestral presence in ellison ' s writing , so as to bring to light his literary originality and foreknowledge
摘要美国黑人作家拉尔夫?埃利森《无形人》的中心隐喻“无形性” ，是作者对美国黑人文化及其价值观长期思考的结果，这一隐喻标志着美国黑人文学创作由自然主义抗议小说，朝注重艺术美学的现代小说转向。 |
| 10. | Gutman argues convincingly that the stability of the black family encouraged the transmission of and so was crucial in sustaining ? the black heritage of folklore , music , and religious expression from one generation to another , a heritage that slaves were continually fashioning out of their african and american experiences
译文:加特曼确凿地说明黑人家庭的稳定鼓励了黑人文化遗产的传递和维护，这些遗产包括从一代传到另一代的民间传说，音乐，和宗教表述，这些遗产使非洲和美洲的奴隶们特色显著。 |
